“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg
“ cease to regard the canvas as a surface on which to paint a picture, but instead as a surface on which to record an event “
Harold Rosenberg